"Evangelical Christians
have been especially attentive to worship in recent years, sparking a
renaissance of thought and conversation on what worship really is and how it
should be done. Even if this renewed interest has unfortunately resulted in
what some have called the “worship wars” in some churches, it seems that what
A. W. Tozer once called the “missing jewel” of evangelical worship is being
recovered.
Nevertheless, if most
evangelicals would quickly agree that worship is central to the life of the
church, there would be no consensus to an unavoidable question: What is central
to Christian worship? Historically, the more liturgical churches have argued
that the sacraments form the heart of Christian worship. These churches argue
that the elements of the Lord’s Supper and the water of baptism most powerfully
present the gospel. Among evangelicals, some call for evangelism as the heart
of worship, planning every facet of the service—songs, prayers, the sermon—with
the evangelistic invitation in mind.
Though most evangelicals
mention the preaching of the word as a necessary or customary part of worship,
the prevailing model of worship in evangelical churches is increasingly defined
by music, along with innovations such as drama and video presentations. When
preaching the word retreats, a host of entertaining innovations will take its
place."
Traditional norms of
worship are now subordinated to a demand for relevance and creativity. A
media-driven culture of images has replaced the word-centered culture that gave
birth to the Reformation churches. In some sense, the image-driven culture of
modern evangelicalism is an embrace of the very practices rejected by the
Reformers in their quest for true biblical worship.
Music fills the space of most evangelical worship, and much of this music comes in the form of contemporary choruses marked by precious little theological content. Beyond the popularity of the chorus as a musical form, many evangelical churches seem intensely concerned to replicate studio-quality musical presentations.
Music fills the space of most evangelical worship, and much of this music comes in the form of contemporary choruses marked by precious little theological content. Beyond the popularity of the chorus as a musical form, many evangelical churches seem intensely concerned to replicate studio-quality musical presentations.
In terms of musical
style, the more traditional churches feature large choirs—often with
orchestras—and may even sing the established hymns of the faith. Choral
contributions are often massive in scale and professional in quality. In any
event, music fills the space and drives the energy of the worship service.
Intense planning, financial investment, and priority of preparation are focused
on the musical dimensions of worship. Professional staff and an army of
volunteers spend much of the week in rehearsals and practice sessions.
All this is not lost on
the congregation. Some Christians shop for churches that offer the worship style
and experience that fits their expectation. In most communities, churches are
known for their worship styles and musical programs. Those dissatisfied with
what they find at one church can quickly move to another, sometimes using the
language of self-expression to explain that the new church “meets our needs” or
“allows us to worship.”
A concern for true
biblical worship was at the very heart of the Reformation. But even Martin
Luther, who wrote hymns and required his preachers to be trained in song, would
not recognize this modern preoccupation with music as legitimate or healthy.
Why? Because the Reformers were convinced that the heart of true biblical
worship was the preaching of the word of God.
Thanks be to God,
evangelism does take place in Christian worship. Confronted by the presentation
of the gospel and the preaching of the word, sinners are drawn to faith in
Jesus Christ and the offer of salvation is presented to all. Likewise, the
Lord’s Supper and baptism are honored as ordinances by the Lord’s own command,
and each finds its place in true worship.
Furthermore, music is one
of God’s most precious gifts to his people, and it is a language by which we
may worship God in spirit and in truth. The hymns of the faith convey rich
confessional and theological content, and many modern choruses recover a sense
of doxology formerly lost in many evangelical churches. But music is not the
central act of Christian worship, and neither is evangelism nor even the
ordinances. The heart of Christian worship is the authentic preaching of the
word of God.
Expository preaching is
central, irreducible, and nonnegotiable to the Bible’s mission of authentic
worship that pleases God. John Stott’s simple declaration states the issue
boldly: “Preaching is indispensable to Christianity.” More specifically,
preaching is indispensable to Christian worship—and not only indispensable, but
central.
The centrality of
preaching is the theme of both testaments of Scripture. In Nehemiah 8 we
find the people demanding that Ezra the scribe bring the book of the law to the
assembly. Ezra and his colleagues stand on a raised platform and read from the
book. When he opens the book to read, the assembly rises to its feet in honor
of the word of God and respond, “Amen, Amen!”
Interestingly, the text
explains that Ezra and those assisting him “read from the book, from the law of
God, translating to give the sense so that they understood the reading” (Neh 8:8). This
remarkable text presents a portrait of expository preaching. Once the text was
read, it was carefully explained to the congregation. Ezra did not stage an
event or orchestrate a spectacle—he simply and carefully proclaimed the word of
God.
This text is a sobering
indictment of much contemporary Christianity. According to the text, a demand
for biblical preaching erupted within the hearts of the people. They gathered
as a congregation and summoned the preacher. This reflects an intense hunger
and thirst for the preaching of the word of God. Where is this desire evident
among today’s evangelicals?
In far too many churches,
the Bible is nearly silent. The public reading of Scripture has been dropped
from many services, and the sermon has been sidelined, reduced to a brief
devotional appended to the music. Many preachers accept this as a necessary
concession to the age of entertainment. Some hope to put in a brief message of
encouragement or exhortation before the conclusion of the service.
As Michael Green so
pointedly put it: “This is the age of the sermonette, and sermonettes make
Christianettes.”
The anemia of evangelical
worship—all the music and energy aside—is directly attributable to the absence
of genuine expository preaching. Such preaching would confront the congregation
with nothing less than the living and active word of God. That confrontation
will shape the congregation as the Holy Spirit accompanies the word, opens
eyes, and applies that word to human hearts."
Article written by Dr. Al Mohler.
Article written by Dr. Al Mohler.