"Evangelical Christians
have been especially attentive to worship in recent years, sparking a
renaissance of thought and conversation on what worship really is and how it
should be done. Even if this renewed interest has unfortunately resulted in
what some have called the “worship wars” in some churches, it seems that what
A. W. Tozer once called the “missing jewel” of evangelical worship is being
recovered.
Nevertheless, if most
evangelicals would quickly agree that worship is central to the life of the
church, there would be no consensus to an unavoidable question: What is central
to Christian worship? Historically, the more liturgical churches have argued
that the sacraments form the heart of Christian worship. These churches argue
that the elements of the Lord’s Supper and the water of baptism most powerfully
present the gospel. Among evangelicals, some call for evangelism as the heart
of worship, planning every facet of the service—songs, prayers, the sermon—with
the evangelistic invitation in mind.
Though most evangelicals
mention the preaching of the word as a necessary or customary part of worship,
the prevailing model of worship in evangelical churches is increasingly defined
by music, along with innovations such as drama and video presentations. When
preaching the word retreats, a host of entertaining innovations will take its
place."
Traditional norms of
worship are now subordinated to a demand for relevance and creativity. A
media-driven culture of images has replaced the word-centered culture that gave
birth to the Reformation churches. In some sense, the image-driven culture of
modern evangelicalism is an embrace of the very practices rejected by the
Reformers in their quest for true biblical worship.
Music fills the space of most evangelical worship, and much of this music comes in the form of contemporary choruses marked by precious little theological content. Beyond the popularity of the chorus as a musical form, many evangelical churches seem intensely concerned to replicate studio-quality musical presentations.
Music fills the space of most evangelical worship, and much of this music comes in the form of contemporary choruses marked by precious little theological content. Beyond the popularity of the chorus as a musical form, many evangelical churches seem intensely concerned to replicate studio-quality musical presentations.




